Cover

The lounge

A silk chinese hanging lamp

The lounge

The child bedroom

The bedroom

A white painted stool near the staircase and a paper hanging lamp

A bedroom

The corridor

The bathroom

When a house becomes a classic in the field of action of a designer fantasy, the result is poetic and light as a bird. The proof of trompe l'oeil in Sandrine Ziegler-Munck, creator of the brand Mérésine.

In the entrance, the back wall is decorated with a digital print depicting a canary resting on a stack (process "Alyos" design Sandrine Ziegler-Munck). Molded plastic chair with legs pivoted "Galaxy" by Svensson and Sandström 70s.
Cushion "Vanity" created by Sandrine.

The dining room reflects the spirit of the house design side, a wooden table painted custom made, chairs "Diamond" by Harry Bertoia and a chandelier Led by Jean-Luc Le Deun. Next fancy table "wedding feast in Yport" (1886) the painter Albert Fourie, which in its revised version, while transparency and games pellets, covers the entire wall (process "Alyos" collection Sandrine Ziegler-Munck). Candlesticks "Face Child" by Peter Larsen, laboratory vials diverted bud vases.

In the entrance, and Herve Sandrine presented their fetish objects, like trophies: Considered as a piece in itself, serves as the entrance exposure to a collection of votive offerings brought back from travels and a mixture of 'miscellaneous objects presented bells on antique furniture painted white.

In the staircase that leads upstairs children, the wall is decorated with a clash of family photos. On the risers, a quote from the writer and journalist Louis Pauwels, written with stickers.

In the bedroom, a wall sculpture by Peter Larsen serves as a headboard. The duvet covers are old linen cloth that was sewn together by Sandrine. At the foot of the bed, a pair of shoes throne in a Plexiglas box. Suspension "Cocoon" (Celine Wright) and lamps
"Tolomeo" (Artemide).

Unlike other parts of the house suffered major renovation, the kitchen has just been completed by painted wooden boxes in which are exposed to fetish objects, mostly from Alsace. A small white light Chinee is posed by such an intruder. The suspensions were made by Sandrine with old bottles of wine from Alsace. Among the items of food, a glass blank blast Meisenthal, a golden vase "Poison" (Kuehn Keramik), the vase "April" Tse & Tse of a crystal decanter Arzwiller size of a pad of paper by Peter Larsen,
a portrait of Antoine Helbert and a lithograph "Caddie" of Herve Munck.

Carouschka decided the location of each of the windows. In the living room, the windows let see the boats off. The coffee table and the carpet are creations of the artist.

Carouschka decided the location of each of the windows. In the living room, the windows let see the boats off. The coffee table and the carpet are creations of the artist.

View of the zinc roofs that recall Paris to the artist.

The kitchen designed by Carouschka mixture birch and white marble. Surgical lamps Swedish 30s and Thonet chairs.

Carouschka lives in a world of images and letters, his library floor to the envelope
ceiling, like a bubble in the center of which stands a metal chair in the 30s. Lamp Swedish architect Uno Noren.

Good example of coexistence between steel and wood, the staircase between the two levels is bleached birch syrup pine as the eighteenth century. We can see traces of old
chimneys in the wall that meets the design steps. The letter blasted glass door is a creation of Carouschka.

The studio-workshop was originally a paint shop and then that of a photographer. Carouschka kept the volume and accommodation, installed a wood stove and built this incredible glass roof.

Painting, collage, sculpture, architecture, Carouschka Streijff ert passes from one to another
with equal ease. In a basket, small pieces of nature that it cuts
and bark on his island.

Marble floors, Corian tub-like boulder, and valves, al. "Minimal", Claudio Silvestrin design for Boffi. African baskets as a storage.

In London: antiques Magic

Beautiful mix of styles in the hall where an old piece of raw oak console transformed by Jo Willer Swedish Gustavian alongside a clock from a shooting for Designers Guild. It is this hall that share the wooden staircase that serves four levels as a "brown ribbon that unfolds in a white cube."

On the ground floor, one of the two rooms overlooking the street. Jo found the interior wooden shutters in a dumpster in Madrid, "they were just the right size!" Sofa (Designers Guild) Scandinavian armchair 60 'covered in damask (Designers Guild). On the left panel and Trevor Bell, above the fireplace, Breon O'Casey collage.

In the dining room on the ground-garden table and chairs were mottled Gustavian style of diff erent flea markets in London. As in any home, Jo has decorated the room with flowers and foliage season

In contrast to fitted kitchens, it is composed of diff erent antique furniture that Jo was painted: the Swedish table and chairs are English, such as furniture workplan white marble.

Jo especially like the white brick fireplace in which an artist friend has made a grid firewall. Ground, one of the many wool rugs that Jo brought back from Marrakech.

The old wrought iron bed oxidized nineteenth blends harmoniously with collections of old tissue box Jo. Indian quilt and cushions vintage antique flea.

The bathroom has been completely "restored" old tub with feet that has a castle in Normandy, a Swedish cotton carpets worn and come in an array of his grandmother.

Office library awash in books for the whole family. 50s Scandinavian armchair covered with a quilt in vintage fabrics. Above the fireplace, drawing by William Turnbull was chosen by the husband of Jo, Chris Stephens, Director of attachment to the Tate Britain. Carpet Marrakech.